Category Archives: MSA Gallery Artist

Inside the Artist’s Studio with Patrick Kana

For as long as I can remember, I have been drawn to the idea of making things with my hands. I started as a child in my father’s basement workshop making carefully assembled model boats and planes, and over the last 15 years continued to gravitate toward working with wood as my primary creative practice.

Patrick Kana working in his studio

Patrick Kana working in his studio

I grew up on the coastal eastern shore of Maryland as a son of two marine biologists, and these influences remain at the forefront of my experimental woodworking today. I am currently the studio technician and visiting faculty for the Art and Architecture Department at Hobart and William Smith Colleges in Geneva, NY, and have my independent business and studio: Kana Studios.

Finished texture and form exploring biological specimens.

Finished texture and form exploring biological specimens.

My work ranges in appearance and context, from fine client-based commissioned furniture to sculptural and carved objects that are grounded in my curiosity of the natural world. All of my work is experimental on some degree, by testing and exploring what certain specimens of wood can provide, how form integrates with the material, and how surface texture and color can enhance the gesture of the piece.

Development of Geneva Chair, 2012.  Mock-up before final production.

Development of Geneva Chair, 2012. Mock-up before final production.

The collection of work currently on view at Main Street Arts is more about showing the spectrum of my work rather than honing in on one central theme. The Geneva Chairs were my first long-term design and research project in 2012 that yielded a user-friendly and intriguing product for the masses, while keeping the material use and construction process efficient in my workshop. These are designed to be made in multiples, which contrasts well to the inherently one-of-a-kind carved wall vessel, Nascent, a piece that is designed and made using one specific piece of wood.

Organic development of Nascent.  Arranging free-form parts until I am drawn to a pleasing composition.

Organic development of “Nascent”, arranging free-form parts until I am drawn to a pleasing composition.

"Nascent" by Patrick Kana

“Nascent” by Patrick Kana

As my work has progressed over the last 5 years, I have found more intrigue in curves and contours of surfaces, as seen in the reed-like curves on the back of my Palea Chair, where multiple laminated slats combine to generate a contoured, gestured, and most importantly comfortable back to the chair.

Sketch developments of Palea Chair.

Sketch developments of Palea Chair.

Sketch refinement of Palea Chair.

Sketch refinement of Palea Chair.

Mock-up development of Palea Chair.

Mock-up development of Palea Chair.

"Palea Chair" by Patrick Kana

“Palea Chair” by Patrick Kana

My outlook on making is one that is central to understanding material. I want to learn the deep characteristics of wood—it is a seductive material in its natural state, tempting to simply sand and leave smooth, but I challenge myself to look at the raw material with a curiosity of what is within, or what it wants to become. I believe that through a range of working methods, we gain a more thorough understanding of medium, and in return we become stronger designers and artists.


Patrick Kana is one of eight gallery artists represented by Main Street Arts. He is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Patrick and his work can be found on our website. View more pieces by Patrick Kana on the gallery’s Artsy page.

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Inside the Artist’s Studio with Jody Selin

Until about the age of 6, I grew up in fairly rural area of Greensboro, North Carolina. My parents were avid gardeners and some of my fondest memories where of snapping green beans, skinned knees and following my parents around the yard, as they pruned and planted throughout the growing season.

Jody Selin working in her studio

Jody Selin working in her studio

There was plenty of land to roam as unsupervised kids and we took full advantage of it. If asked, we could recite the trees in our yard; cherry, pear, oak, dogwood and magnolias. It was here that I naturally developed a love of being outdoors, gardening and a fascination with plant and earth sciences. These earliest childhood impressions, along with a mother who encouraged creativity, are what I carry into my work today. 

Various pieces in progress

Various pieces in progress

So, for the better part of 20 plus years, I’ve been making art and choosing to live creatively. Originally, I came to Western New York to pursue my MFA in Ceramics at RIT’s School for American Craft, eventually settling in Buffalo, NY. Before this, I had traveled around the US and Caribbean for several years, where my natural inclination for plant biology overlapped with a love for the enormous plant growth and lush, saturation of the sub-tropics. The ecology of western NY has been just as inspiring, with the diverse hiking trails, rivers and Great Lakes. 

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Detail of “Entangled Growth” from CULTIVATE exhibition

"Medium Pollinator Cluster" from the CULTIVATE exhibition

“Medium Pollinator Cluster” from the CULTIVATE exhibition

Working with my hands, traveling, hiking and experiencing people and places outside of my direct understanding have always been an interest for me. At my best, I am curious. 

These recent works, featured in the CULTIVATE exhibition, are a reflection of this continued curiosity. Threads of previous works in content and style are always present although, I intentionally choose to pursue work that is continually explorative and in response to my direct natural environment. 


Jody Selin is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Jody and her work can be found on our website. View more pieces byJody Selin on the gallery’s Artsy page.

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Inside The Artist’s Studio with Meredith Mallwitz

The series of landscape paintings featured in the CULTIVATE exhibition is about the simple, unassuming beauty of the relationship between a horizon line, the light of an expansive sky and the changing mood of the day.

Inspiration for a painting

Inspiration image for “Canandaigua Light”

Inspiration for "Canandaigua Light"

Inspiration image  for “Canandaigua Light”

When I see a landscape that inspires me it can be because of the glow of the light coming through the clouds that happened very quickly and dramatically, the smell of the air as it moves across the land, the contrast of color in a field, or the rising mist coming over the horizon. I don’t paint to recreate what I saw, rather I paint to convey my sensory experience and bring that initial inspiring experience or moment to life.

"Canandaigua Light" in progress

“Canandaigua Light” in progress

"Canandaigua Light"

“Canandaigua Light” by Meredith Mallwitz

The landscape of the Finger Lakes region in particular has given me so much in terms of inspiration. I live in Canandaigua and even in our dark, gloomy days, I can have my breath taken away by the stunning beauty of the area. And when that happens, I don’t forget that image or that feeling.

My work starts from a photo or a sketch of the subject. I’ll start a painting from that, but the work takes on a much different identity once it comes into my art studio. That photo usually only serves the purpose in the initial stages of a painting. I work with acrylic paints, usually very diluted, soft layers that I build up very slowly to allow the paint to have some translucency to it, and allow the layers to glow and illuminate from beneath.

Inspiration image for "Canandaigua Lake"

Inspiration image for “Canandaigua Lake”

Inspiration image for "Canandaigua Lake"

Inspiration image for “Canandaigua Lake”

"Canandaigua Lake" by Meredith Mallwitz

“Canandaigua Lake” by Meredith Mallwitz

Two of my biggest art influences are William Turner, for his light and atmospheric technique, and Mark Rothko for the emotion behind those color relationships.

I am originally from Shortsville, NY where I grew up working in my family’s bar and restaurant, Buffalo Bills Family Restaurant & Tap Room. If there’s one thing that has been the most influential on my life, it would be that restaurant. It’s been in my family since I was 4 and has taught me a thing or two about the intrinsic value of good hard work. The great bonus of the business was meeting some remarkably inspiring, creative, and interesting people over the years starting from a very young age.

"Windswept" in progress

“Windswept” in progress

"Windswept" by Meredith Mallwitz

“Windswept” by Meredith Mallwitz

After I graduated high school I attended the Art Institute of Boston, California College of the Arts, and The Art Institute of Florence, Italy. I traveled to Egypt, Greece, Jerusalem, Bethlehem, Ireland. Right after college graduation I traveled the coast of Mexico for 6 months. Life was good and I was soaking up and loving every moment. But truth be told, I actually missed the Finger Lakes. I needed to see the world to realize how beautiful the Finger Lakes region truly is. I longed for the rolling hills, the farmland, the lakes. So, I moved back and rented an art studio above my parents restaurant. During the day I painted, and at night I was a bartender.

Viewer looking at "Windswept" in the CULTIVATE exhibition at Main Street Arts

Viewer looking at “Windswept” in the CULTIVATE exhibition at Main Street Arts

One day I hung a painting that was still wet on the wall at the restaurant because I wanted to get feedback. Two hours later a man saw it, loved it and bought it. That lit my fire and I started painting like a machine. My goal was a new piece or two every week. That was 2001 and my work has certainly evolved, but my fire, drive and passion to create has only grown bigger.


Meredith Mallwitz is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Meredith and her work can be found on our website. View more pieces by Meredith Mallwitz on the gallery’s Artsy page.

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Inside The Artist’s Studio with Pat Bacon

If you want a label, today I would say that I am a “photographer/printmaker” knowing full well that I have a painter’s sensibility. I like to color outside of the lines and to experiment, which is not really a practice that is compatible with traditional photography or printmaking. There is a prescribed process and set of steps that you should follow.

Experiment with printmaking and fire

Experiment with printmaking and fire

Printmaking and photography, like all mediums require understanding and mastery. The intrigue for me is to gain mastery while not being a slave to the expected process. When working, I want to collaborate with the subject, using the chosen media to make the unspeakable into something concrete.

Hedgerow Fog, photogravure, 2018

Hedgerow Fog, photogravure, 2018

Burn Pile, photogravure, 2018

Burn Pile, photogravure, 2018

Currently my art incorporates printmaking, photogravure, and collage. Photographic images from my camera, scanner or phone capture a specific moment. What I do with those images after capturing them allows me to elevate the quiet and insignificant in a loud world. Each of my pieces carry the trace the marks of the process of making them.

"Old Orchard" and "Burn Pile", digital prints made from photogravure images with wax and oil paint.

“Old Orchard” and “Burn Pile”, digital prints made from photogravure images with wax and oil paint.

Art is not obvious. Art critic, Jerry Saltz once wrote “Art is for anyone. It just isn’t for everyone”. My work is not for everyone. I start working on something for the possibility of interacting with an image that has the potential to speak beyond the obvious.

Self portrait, in the fog

Self portrait, in the fog


Pat Bacon is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Pat and her work can be found on our website. View more pieces by Pat Bacon on the gallery’s Artsy page.

"Into the Wood (Autumn)"

Inside the Artist’s Studio with Lanna Pejovic

Throughout my life as an artist/painter, I have found my inspiration in the world of nature. The places I prefer as a source for motifs are the places that I can experience continually, such as the view from my house and studio windows or a park or special garden close by that I visit all the time in every season and light. I live in a village surrounded by fields and woods with gentle hills and four seasons in a year.

My backyard

View of my backyard with studio on left

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Gouache sketch

I most often paint in cycles where I concentrate on one of “my” places for a while in a series of works and then move  to another motif. There is usually overlap and a cycling back toward previous motifs. Discoveries in each cycle inspire future series.  I swing between abstraction and naturalism and I often paint and draw on location. My on location paintings are a way of building up a memory of landscape but as finished paintings can become too burdened by information. I prefer to have time to reflect and distill so I often work over the outdoor version in the studio. It can become a finer reflection or a reflection of a different experience, such as the painting below, “Winter Garden”.

garden shed at Linwood Gardens

Photo of Linwood Garden shed

Winter in the Garden

A summer plein air version that got a winter makeover

What I respond to in the space surrounding me is the light and color first and then the structure of the trees. I love trees and experience them as living architecture. I can imagine them breathing when I walk through the woods. They also remind me of the great church architecture of Gothic Europe.

Birdsong Trail at MMP

Birdsong Trail at Mendon Ponds Park

Birdsong Trail at MPP sketch

Drawing made at Birdsong Trail location

Below, the painting The Listener is a studio invention that alludes to time passing, night/day and again…I find winter more evocative.

The Listener 1MB copy

“The Listener”

To conclude my post, I am back at my studio with a photo of a winter sunset seen through a window.

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Winter scene from the studio window


Lanna Pejovic is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Lanna and her work can be found on our website. View more pieces by Lanna Pejovic on the gallery’s Artsy page.

"Bad Seed" by Chad Grohman

Inside the Artist’s Studio with Chad Grohman

Landscape by Chad Grohman

Landscape painting by Chad Grohman

I am from Buffalo, NY and have spent all but one year of my life there, minus the four years of undergrad at Rochester Institute of Technology. I didn’t really live in Rochester so much as the college itself, so I don’t really count that. My MFA was in a distance program so I stayed in Buffalo.

That being said, I have shown mostly in Rochester and other other cities besides Buffalo. As a commercial illustrator, I draw or paint many subjects in many media. When my personal artwork is shown in galleries, I tend to mostly paint landscapes. I paint landscapes because the landscape is where I prefer to be; outside. That’s the great thing about being an illustrator —as a freelancer, I can use what ever minutes I choose to be outside. While there walking or sitting, I began to draw and paint from life, as well as in the studio from photos. It was not until about 2010 that I really began painting landscapes.

Landscape by Chad Grohman

Landscape by Chad Grohman

Many years ago I began practicing and studying Buddhism. Outdoors is a wonderful place to practice. The school I belong to has a beautiful liturgy that is well suited for outdoors. Holding an outdoor service for the land and painting the land is an amazing combination.

School Days by Chad Grohman

“School Days” featured in the CULTIVATE exhibition at Main Street Arts

I am a Nichiren Shu novice Buddhist priest. In the CULTIVATE exhibition, I am showing artwork inspired by recent training trips to Japan — both rural and urban. The cats included in many of the pieces represent all realms of existence, primarily the bodhisattva (concern for others), human, animal, hell realms. The cats are spiritual — they suffer, they are beneficial, and are often confused.

"Original Disciples" by Chad Grohman

“Original Disciples” by Chad Grohman, included in the CULTIVATE exhibition

The artwork is mounted on cardboard. I prefer the basic nature of using cardboard and watercolor paper. I have long been attracted to and inspired by hobo art and the limited materials they use.

"Bad Seed" by Chad Grohman

“Bad Seed” by Chad Grohman, included in the CULTIVATE exhibtion


Chad Grohman is one of eight gallery artists represented by Main Street Arts. He is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Chad and his work can be found on our website. View more pieces by Chad Grohman on the gallery’s Artsy page.

 

The finished print with blue, red and grey added by hand.

Inside The Artist’s Studio with Sylvia Taylor

Every spring the spotted salamanders migrate from the woods behind my home in Ithaca, New York.  We watch for them on rainy nights. With a flashlight you can see their little dinosaur bodies moving forward into the night.  My print called The Quickening,  was inspired by the salamander migration.

salamander night

A Little Dinosaur in the Garden

Most of my work is created by a process called relief printmaking. It involves carving a piece of wood or linoleum, rolling ink onto the surface, and then transferring the ink/image onto paper. The final print will be the mirror image of the carved plate.   My favorite part of the process is carving the plate.

But first, I must get the drawing onto the plate.

I often draw directly onto the linoleum plate.

I often draw directly onto the linoleum plate.

Now for the fun part!

Cutting the Lino

Cutting the Lino

More Cutting...

More Cutting…

When you first roll ink onto the plate, it seems to spring to life before your eyes.  I love this part.

The image comes to life and any areas that need to be tweaked show up clearly.

The image comes to life

The plate is inked up and ready to proof

The plate is inked up and ready to proof

Next step is printing. Here’s my press:

My Printing Press

My Printing Press

The Ink from the Lino Plate is Transferred to the Paper...

The Ink from the Lino Plate is Transferred to the Paper…

It typically takes a few days for the ink to dry, depending on the weather

It typically takes a few days for the ink to dry, depending on the weather.

Once they are dry, I can add color and experiment.

Painting spots...

Painting spots…

The final print:

The finished print with blue, red and grey added by hand.

The finished print, “The Quickening”,  with blue, red and grey added by hand.

The word quickening references the idea of something speeding up but it is also a word used in pregnancy for the first moment that a woman feels the baby move in utero. Because I was a midwife for many years, I especially love that double entendre. I frequently see the process of making art with midwife eyes. Birth metaphors always come to mind.

In this print I was interested in exploring a certain kind of psychological undercurrent. Sometimes we experience the kind of change or upheaval that is marked by a departure from life as it has been. There is no going back and no discernible path forward. It’s like the proverbial night sea journey. Carl Jung talks about it as kind of a descent into Hades — to the land of ghosts somewhere beyond this world and beyond consciousness. Whenever I have a character in my art holding a salamander, it’s there to help find the way forward.

We were lost.

We Were Lost


Sylvia Taylor is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Sylvia and her work can be found on our website. View more pieces by Sylvia Taylor on the gallery’s Artsy page.