Inside the Artist’s Studio with Peter Pincus: How Long is a Long Time?

Among the pots and vessels featured in Sleep, In Spite of the Storm, you will find a perfume bottle standing on top of a hand mirror.  In my (very) biased opinion, these two are the most complex and compelling objects in this show.  And they better be, because I’ve been working on them for a long time.

Perfume Bottle and Hand Mirror.  2014

Perfume Bottle and Hand Mirror. 2014

It all started when I paired perfume bottles and jewelry boxes for my graduate thesis exhibition in 2011.  I thought the perfume bottle could become an abstracted figure, and the jewelry box could become a landscape, and that together they could create a seductive atmosphere.  In theory it was great, but I left that body of work feeling  underwhelmed.

Perfume Bottle and Jewelry Box from Thesis Exhibition, 2011.

Perfume Bottle and Jewelry Box from Thesis Exhibition, 2011.

For starters, the perfume bottle as an abstract figure was a forced idea, if an idea at all.  I couldn’t get far enough away from the wheel to make it transcend the pot.  And by stacking the bottle on the box, I changed the way the jewelry box worked.  It stopped being a container and turned into a pedestal.  Neither object heightened the other.  The two were not a great match.

Another Perfume Bottle and Jewelry Box from Thesis Exhibition, 2011.

Another Perfume Bottle and Jewelry Box from Thesis Exhibition, 2011.

So I spent time sketching the perfume bottle by itself as a way to gain distance from the relationship I’d forced.   I also restricted myself from actually making a perfume bottle because I knew it was important to grow in my hand and mind first to avoid retracing my steps.  I spent the time looking at dresses and figures and paintings, while I made a ton of bottles and cups – of course!

When I finally made the right sketch, the challenge was figuring out how to make the thing.  What a pain!  If you are interested in how I did it, go back to my early Instagram posts where I documented the process step by step (most steps are there).

 

Peter Pincus and his ceramics

Peter Pincus and his ceramics

The hand mirror came to mind in its own time.  It was the first thing I could think of that conceptually aligned with the perfume bottle, was found in a similar location and completely heightened the bottle while not turning into a pedestal in the process.  To boot, it was an exceptionally undervalued object.  Opportunity… check!

But here’s the catch.  Slip casting a hand mirror doesn’t work.  Believe me, I tried… and tried and tried.  It took time to realize that the hand mirror was best suited as a wheel turned object.  So I found rich, dark chocolate, dense earthenware and had at it.

Scraping a finished edge of the hand mirror before drying and firing it.

Scraping a finished edge of the hand mirror before drying and firing it.

So here they are.  Three years from when I last made a perfume bottle.  Finally.

Detail

Detail

Part One: Inside the Artist’s Studio: Introducing Peter Pincus
Part Three: Inside the Artist’s Studio with Peter Pincus: Centerpiece
Part Four: Inside the Artist’s Studio with Peter Pincus: Cracks in the Foundation

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