Tag Archives: Artist Residency Program

Meet the Artist in Residence: Dain Q. Gore

Dain Gore, artist in residence during the month of June 2018 at Main Street Arts, is working in one of our two studio spaces on our second floor. We asked Dain some questions about his work and studio practice:

Artist Dain Q. Gore

Artist Dain Q. Gore

Q: Tell us about your background.
I was born in Phoenix and live in Laveen, AZ. I have been there my whole life. I keep thinking what it would be like to move but in my travels I have yet to find a Goldilocks Zone for that (except maybe Japan). I have an MFA in painting (2009) and BFA in drawing (2000) from ASU. When I’m not making art for upcoming shows I like to perform puppetry at the Great Arizona Puppet Theater in the Puppet Slams.

Q: How long have you been making artwork?
I was just telling a friend that the only good days I really remember about grade school were when I could draw, especially when it was “rainy day schedule.” As a small kid, there really was nothing much else of significance for me than drawing and collecting action figures and video games. Socialization came much later in life.

"Histrionics of Medicine" by Dain Q. Gore

“Histrionics of Medicine” by Dain Q. Gore

Q: What was your experience like at art school?
I’ve also been talking about this a lot lately. My perspective now has been oddened, as peers are relating experiences that I simply did not have. For some reason I feel like I had some kind of plot armor, or that as I recall it, knew I could accept or reject anything tasked of me. This was best illustrated when a professor gave me a long list of corrections to my painting, followed by, “Or not…just keep painting!” This became a running joke at critiques but stuck from then on. This probably made the most sense of anything I ever learned in art school. Any kind of actual learning—not mimicking, not repeating–I think involves a moment where you simply have to do and stop thinking.

Tardinaut-edit

“Tardinaut” by Dain Q. Gore

Q: Do you have a job other than making art?
I do! I am currently a faculty adjunct at South Mountain Community and Phoenix College. In addition, I have been substituting at Metro Arts, an arts-based high school in Phoenix. I’ve also been starting to do workshops based on some of my specific niche areas of interest in art, such at the Exquisite Corpse  and painting board gaming miniatures. I also perform puppetry, as mentioned above, which often intervenes into my exhibitions.

"Exquisite Corpse" by Dain Q. Gore

“Exquisite Corpse” pieces by Dain Q. Gore

Q: How would you describe your work?
My work is colorful, experimental, playful, image-ridden and fragile.

Q: What is your process for creating a work of art?
My process very often involves turning on some music (I like art/prog rock) or Coast to Coast AM or an audiobook (currently trying to finish Snow Crash) to get started. I get out a piece of foam core and draw out a basic shape using a white China marker, paint directly onto the surface (sometimes with gesso or medium first).

Q: What are your goals for this residency?
My goals were initially to experiment further, but now I have a list of several things I would like to play with that may still involve my process.

ArtClocky

“Art Clocky” by Dain Q. Gore

Q: Who is your favorite artist and why?
I have so many too pick just one: James Ensor, Philip Guston, Martin Wong, Wayne White. There are so many great ones on Instagram now, too. I would have to say James Ensor overall, though, because his life echoes his art so closely in such a surreal way and feels like an echo of my life and art, too.

Q: What type of music do you listen to?
As mentioned, music can be crucial to getting me out of my own head and on to painting surfaces. I love DEVO, Blue Oyster Cult, Oingo Boingo, Idiot Flesh (and its numerous incarnations), Father John Misty, Of Montreal, Talking Heads, Neon Indian, Stereolab, Adam and the Ants, Al Stewart…

"Avatar of Kek" by Dain Q. Gore

“Avatar of Kek” by Dain Q. Gore

Q: Do you collect anything?
I “used to” collect action figures. I have a hopeless fascination with them, and it certainly has influenced my aesthetic choices and being a puppeteer. I also collect (and sometimes actually paint) the aforementioned miniatures.

Q: What’s next for you?
As soon as I get back to AZ I have to start working on a Puppet Slam piece for GenCon, two shows I will be featured in at Eric Fischl Gallery in September and Fine Arts Complex in October, in addition to the monthly AZ Puppet Slams!

Q: Where else can we find you?
I can be found on Instagram @daintist and at www.daingore.com


Dain will be teaching two workshops during his residency at Main Street Arts. The first will take place on Saturday, June 16 from 12 to 3 pm and will focus on the Surrealist game of Exquisite Corpse—a spontaneous, group-collaborated creature where the only limit is your own imagination (see image above). Perfect for a group of friends! Sign up here.

The second workshop, taking place on Saturday, June 23 from 12 to 3 pm, will give participants to create puppet-like paintings that Dain calls “INGs”. Somewhere between two-dimensional paintings and sculptures, these objects represent an element of play as well as a thoughtful approach to the layered sensibility of painting (see images above). Sign up here.

 

Meet the Artist in Residence: Scott McMahon

Scott McMahon, artist in residence at Main Street Arts, during the month of June 2018, is working in one of our two studio spaces on our second floor. We asked Scott some questions about his work and studio practice:

Scott McMahon

Scott McMahon

Q: Tell us about your background.
I grew up in Killingworth, CT. I’ve been making artwork, in some capacity since I was a child. When I was 5 or 6, my mother was taking art classes and working toward a degree in art. I would often tag along with her to different art classes and studio sessions. What I remember most from that was the process and the feel and smell of art materials and the simple joy of creating something unique.

I took art classes in high school and decided to try a photography class, then taught by the auto shop teacher. He was probably a great auto shop teacher, but knew very little about photography. What he did instill in his students was the idea of experimentation and developing a personal and creative voice. I spent hours in the darkroom, experimenting with the process, solarizing prints, hand-applying developer, printing multiple negatives, pulling developed prints from the trash, re-exposing them, etc. This is when I discovered that photography was akin to painting and printmaking.

After high school I moved to Philadelphia, PA and received my BFA in photography from The University of the Arts. I then went on to receive my MFA in photography from Massachusetts College of Art and Design in Boston, MA. I am currently Associate Professor of Art and teach photography at Columbia College in Columbia, MO.

Scott with 360 degree pinhole camera

Scott with 360 degree pinhole camera

Q: How would you describe your work?
My work is primarily photographic and I use a variety of 19th century processes and techniques, such as cyanotype, gum bichromate, salt printing and tintype. My preferred method of generating images is with the pinhole camera. I typically construct my own cameras with a particular project in mind. I am drawn to the element of chance and experimentation that is inherent in pinhole imagery. Subject matter varies in my work. I am drawn to recording the human figure or presence within a landscape or other locations. I am interested in showing the ephemeral qualities of disparate subjects, recording things that may appear both absent and present. I have always been interested in how the photographic image can “capture” and “preserve” moments in time, but yet it can be just as fragile and fleeting as our own experience and existence.

Breathe

“Breathe” by Scott McMahon

Deluge

“Deluge” by Scott McMahon

Q: What is your process for creating a work of art?
My process generally starts with some kind of preconceived idea or thought that I feel moved to make an image about. Sometimes a residual image from a dream that stays with me over the course of a few days influences the start of building a photograph. I try to be observant to what is around me and recognize things I consistently come back to. I keep a visual journal of preliminary photographs, sketches, influences, ideas and examples of work by other artists.

Once the framework and structure for an image or series of images is there, I choose a process that seems fitting for the concept. Most of the processes I use are quite labor intensive and time consuming. I like the idea of images needing time to simmer. Exposure times can take several seconds or several minutes, developing and printing also requires time and patience. I work slowly and savor the time it takes to nurture an image through the process.

Another part of my process is working collaboratively with my dear friend and fellow artist, Ahmed Salvador. We have similar sensibilities and ideas about what a photographic image is and how it can be made. Some of our projects include: Bioluminescent Series. This project involves capturing the light emitted by fireflies onto photographic film and paper. Response Time is a project that involves sending photographic materials, wrapped in light-proof bags or tinfoil that have been riddled with pinholes, cuts and tears. We then mail these packages to each other. The photographic material receives various amounts of exposure through the mail.

Response Time

Response Time (In collaboration with Ahmed Salvador)

Bioluminescence

Bioluminescence  (In collaboration with Ahmed Salvador)

Q: What is the most useful tool in your studio?
The OFF button on my Macbook…no, just joking. A box with a hole in it, of course.

Q: Do you collect anything?
Surprisingly, I collect cameras. The oldest one I have is made by Rochester Optical Co. and it’s from 1898. I love camera construction and the mechanical components. I also see cameras as beautiful objects and small sculptures. I also collect photographs, mostly from the 19th Century (tintypes, ambrotypes, daguerreotypes, cabinet cards, etc.). The photographs are generally of people I have no relation or connection to, I know nothing about them aside for what is revealed in their portrait. I’m interested in the mystery of these, why their visages ended up an antique store, flea market or junk shop and the possible stories and narratives they can tell us. I share this collection with the History of Photography course I teach as well.

Luna

“Luna” by Scott McMahon

Q: Who is your favorite artist and why?
I can’t choose one…so I’ll choose six…Video artist, Bill Viola for taking us to places within our consciousness that we should visit more often. Photographer, Sally Mann for the truth, beauty and sheer force of her imagery. Composer, author and philosopher, John Cage for being John Cage. Painter, sculptor, mixed media artist, Anselm Kiefer for confronting a dark past through layers of oil, straw, tar, shellac, murk and mire. Photographer and Optician, Ralph Eugene Meatyard for having an amazing name and creating some of the most haunting photographs in the history of the medium. Robert and Shanna ParkeHarrison for their collaborative genius in creating poetic imagery that deals with loss and human struggle.

"Dwelling" by Scott McMahon

“Dwelling” by Scott McMahon

Q: What are your goals for this residency?
My goal is to work on a few different projects. I’ll continue working on a series of camera obscura images called “Daily Dust.” I’ll also be experimenting with a few new pinhole cameras that have multiple apertures. I’ll definitely be exploring the surrounding area for locations to photograph. A recent interest of mine has been learning about areas in upstate New York where Spiritualism got its start in the United States during the 1840’s. Hydesville (now Arcadia, NY) and Lily Dale have been on my radar of places to visit and possibly make photographs of or about for some time now. I’d like to keep an open mind and see where things take me, as Hans Richter said: “give chance a chance.”

"Visitor" by Scott McMahon

“Visitor” by Scott McMahon

Q: What’s next for you?
I’ll be part of an exhibition at Sager Braudis Gallery in Columbia, MO this September. I hope to exhibit some of the work I’ll be making during the residency.

Q: Where else can we find you?
www.scottmcmahonphoto.com/
www.fireflyletters.com/
vimeo.com/79811041


Scott is teaching a pinhole photography workshop during his residency at Main Street Arts on Saturday, June 9 from 12 to 4 pm. Participants will construct and photograph with their own pinhole cameras. Space is limited and pre-registration is required. Sign up for the workshop here.

From The Director: End of 2017 Edition

The last exhibition of 2017, "Small Works"

The last exhibition of 2017, “Small Works”

It’s the end of the year, so naturally we are getting into a reflective mood and reminiscing about all of the great things that happened at the gallery in 2017. This is also a time when we start to get really excited about new things on the horizon in the year to come. If you are thinking to yourself right now, “I wish I could look back at 2017 with Main Street Arts and see some of the exciting things coming up in 2018″, well you are in luck! Keep reading!

Top: Multifaceted, jewelry exhibition; Middle: Re-emerging artists: John Greene and Robert Marx; Bottom: Sacred Curiosities

2017 Exhibition Highlights – Top: Multifaceted, An exhibition of fine jewelry; Middle: Artist talk with John Greene and Robert Marx during Re-emerging Artists; Bottom: Sacred Curiosities

This year, we hosted  fifteen exhibitions on two floors including artwork by a total of 246 artists. Through five solo exhibitions, three two-person shows, four group invitationals, and three national juried exhibitions, we presented a variety of media and artistic perspectives over the course of the year. Highlights for me include hanging jewelry on the wall, hosting an exhibition featuring two artists with over 100 years combined art making experience, and an exhibition based on found objects.

2017 Finger Lakes Regional Student Painting Competition: Self Portraits

2017 Finger Lakes Regional Student Painting Competition: Self Portraits

We also held the 4th annual Finger Lakes Regional Student Painting Competition, which featured 5×7 self portraits by 203 student artists in grades 6 through 12 from 10 area school districts.

May/June, 2017 Artist in Residence, Nick LaTona

May/June, 2017 Artist in Residence, Nick LaTona

Our artist residency program, now well into it’s second year of existence, has been an exciting and meaningful addition to Main Street Arts. This year, we welcomed 18 different artists into our community, including our first ceramic artist in residence, Mandy Ranck, providing them the time and space to focus on making their art. We had artists from the Finger Lakes/Rochester areas; Brooklyn, NY; Staten Island, NY; Jersey City, NJ; Lenox, MA; Phoenix, AZ; and Austin, TX.

2017 Workshop Highlights – In order from top left to bottom right: The Beauty of Small with Cathy Gordon; Printmaking with Chas Davis; students from Penn Yan Academy on a field trip to the gallery making Collage/Assemblage pieces; Encaustic Collage with Ali Herrmann

2017 Workshop Highlights – In order from top left to bottom right: The Beauty of Small with Cathy Gordon; Printmaking with Chas Davis; students from Penn Yan Academy on a field trip to Main Street Arts, making Collage/Assemblage pieces; Encaustic Collage with Ali Herrmann

Artists in residence have the opportunity to teach workshops during their stay at the gallery. In 2017, we ran workshops with 7 of our artists in residence in the following media: ceramics, embroidery, encaustic wax, painting, printmaking, and mixed-media collage. We also offered several workshops in jewelry making and fiber arts with a handful of regional artists as the instructors.

Artist Talks

2017 Event Highlights – Top: Upstate NY Painting Invitational Artist Talk; Bottom, left to right: Sketch session with Andy Reddout and Genine Carvalheira-Geman; Artist talk with John Greene and Robert Marx; and Tintype Demo with John Coffer.

In addition to showcasing the artwork of great artists, we sometimes also ask them to come to the gallery to talk about their work. This year, we hosted artist talks with Robert Marx and John Greene in April in conjunction with their Re-emerging Artists exhibition, Genine Carvalheira-Gehman and Andy Reddout in March for their exhibition of sketchbooks on our second floor, along with a talk with 7 of the painters featured in the Upstate New York Painting Invitational in September. We also invited nationally-known tintype photographer, John Coffer to do a demo here in March as part of the Alternative Process Photography exhibition.

Students and their art teacher, Sherry Blanco during their field trip in October

Penn Yan students and their art teacher, Sherry Blanco during their field trip in October

In October, we also had a group of 15 art students from Penn Yan Academy come in for a field trip to learn about our Sacred Curiosities exhibition and to make their own mixed media collage/assemblage pieces!

Now onto 2018…

The first exhibition of 2018, "Dream State" will open on Saturday, January 13.

The first exhibition of 2018, “Dream State” will open on Saturday, January 13.

We have an exciting schedule of exhibitions planned for next year. Our first exhibition will be called Dream State and will include the work of four artists. Through painting, sculpture and photography, this exhibition is an exploration of time and space, a suspension of reality, and a journey into a personal mental space. The four artists included in this invitational exhibition are Matt Duquette of Buffalo; Bill Finger of Seattle, WA; Carrianne Hendrickson of Rochester; and Lin Price of Ithaca.

“Former King Ferry Scoreboard”, photograph by Harry Littell (Selection from the new book “UNROOM: New 2 U”, a collaboration with author Ron Ostman documenting the surrounding region, finding the beauty in the everyday built environment.)

Next up is an exhibition called Unknown, Overlooked, and Unfamiliar. This exhibition opens on February 24 and will present three distinct bodies of work from three photographers. Each series of images is an investigation into a unique and distinct subject matter. Presented together, the similarities and differences between each body of work will be amplified as parallels between different concepts are made. 30 Photographs by Jasna Bogdanovska, Harry Littell (pictured above), and Nigel Maister will be included and an artist talk will take place on Saturday, March 10 at 1pm.

Main Street Arts’ profile on Artsy, showing our eight represented artists

In April, we will open an exhibition called Cultivate and it will be an introduction to a new gallery program. Main Street Arts will be representing a roster of regional artists. This is something I have wanted to do for a few years and I am so excited to start with eight wonderful artists: Pat Bacon of Lyons, Chad Grohman of Buffalo, Patrick Kana of Geneva, Meredith Mallwitz of Canandaigua, Lanna Pejovic of Honeoye Falls, Jody Selin of Buffalo, Mike Tarantelli of Rochester, and Sylvia Taylor of Ithaca. Work by our represented artists is regularly available on Artsy and at the gallery. Expect to hear much more about this in the new year!

Photo from a visit to Lanna Pejovic's studio in June

Photo from a visit to Lanna Pejovic’s studio in June

There will be a solo exhibition each year for one of the gallery artists, and this year we are excited to mount a solo exhibition of paintings by Lanna Pejovic in October. Stay tuned for more info…

Aside from a solo exhibition and perhaps a group exhibition including these artists each year, I am still excited to have invitational exhibitions which include artists from our region and beyond. A majority of the year will still be filled with the types of exhibitions you have come to know (and hopefully love!) at Main Street Arts.

The Cup, The Mug 2017; our last show of the year on the second floor

“The Cup, The Mug”; our last show of 2017 on the second floor

As we continue to focus our efforts, things will be a little bit different on our second floor. In order to focus on the eight main exhibitions per year in our first floor gallery space and promoting the work of our represented artists, we will no longer have regular exhibitions on our second floor. That space will be dedicated to showing the work of our artists in residence, our gallery artists, and special pop up exhibitions.

And now for 2018 and beyond…

Finally, I would like to announce that this coming year Main Street Arts will be starting the process of converting from a commercial entity to a non-profit. From the beginning, in 2013, we have been graciously funded by Marjorie Morris and the Morris family. Mrs. Morris has, and continues to be, a wonderful patron of Main Street Arts and by extension, all of the artists we have been fortunate enough to show here. Moving forward with a non-profit status will allow us to function in a more sustainable manner and help us to continue to promote the work of artists for many years to come.

This also means that we are able to accept donations and are currently accepting them for a scholarship fund for our artist residency program. If you are interested in supporting our residency program, please contact the gallery for more information.

Main Street Arts, decked out for the holiday season, 2017

Main Street Arts, decked out for the holiday season, 2017

From the bottom of our hearts, we thank you for your support over the past four and a half years. We look forward to many more years of continuing our mission of promoting the work of artists from our region, encouraging the creation of art, and fostering a creative community through exhibitions, artist residency program, workshops, and events.

— Bradley Butler, gallery director and curator


There were so many great exhibitions, workshops, residents, and events in 2017 and it was impossible for me to talk about everything in a concise manner. So, I encourage you to look back and see everything in detail for yourself: 2017 Resident Artists, 2017 Exhibition History, Photo Albums on Flickr.