Tag Archives: Gold Leaf

Inside the Artist’s Studio with Melissa Huang

Painting is a very relaxing process for me. It’s the one thing that  clears my mind and allows me to focus. Painting is great for brainstorming and letting your mind work through all of the thoughts and concepts swimming around in your head.

My studio space is currently set up in the living room area. The natural light is something I really enjoy.

My studio space is currently set up in the living room area. The natural light is something I really enjoy.

A lot of my artwork focuses on things like trinkets, porcelain dolls, and other beautiful childhood objects. I’ve always been a collector, and I filled a bookcase full of fossils, crystals, and ornaments when I was younger.

Artists like Audrey Flack have greatly influenced the way I view still lifes. Symbolism is very important in Flack’s work, and I try to focus on the symbolism in my work as well.

Melissa Huang, Self Portrait, Oil on canvas, wood frame, sculpy objects, 48" x 36" plus frame, 2012

Melissa Huang, Self Portrait, Oil on canvas, wood frame, sculpy objects, 48″ x 36″ plus frame, 2012

I enjoy painting from life, but find creating photographic reference images to work from really helps my process. By rearranging objects and photographing them in different situations and different angles I can find compositions that capture the emotional intent of the piece.

My oil paintings are intentionally soft and feminine with melancholy undercurrents. Broken dolls and figures intertwine with bright and colorful flowers that could represent new life, or possibly death. We are intruders, viewing these figures from an intimate perspective.

Melissa Huang, In the Flowers, Oil on canvas, 24" x 18", 2014

Melissa Huang, In the Flowers, Oil on canvas, 24″ x 18″, 2014

Melissa Huang, Muhammad, Oil on canvas, 20" x 20", 2014

Melissa Huang, Muhammad, Oil on canvas, 20″ x 20″, 2014

Melissa Huang, Sammy Mouse, Oil on canvas, 20" x 20", 2014

Melissa Huang, Sammy Mouse, Oil on canvas, 20″ x 20″, 2014

Recently I’ve been using gold leaf in my paintings. During my study abroad in Florence I visited as many churches as possible, and saw many beautiful altarpieces with gold leafed panels. The subjects of the paintings were made more important by the glimmering leaf. I wanted to lend a similar sense of importance to the subjects I painted.

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Melissa Huang, Philip, Oil on canvas, 48" x 36", 2013

Melissa Huang, Philip, Oil on canvas, 48″ x 36″, 2013

Melissa Huang, Garden, Oil on panel, gold leaf, 6" x 6" (each), 2014

Melissa Huang, Garden, Oil on panel, gold leaf, 6″ x 6″ (each), 2014

Using gold leaf in my work allowed me to play with a sense of depth versus flatness, as well as brought a more graphic quality into some of my paintings. If you’d like to learn about the gold leafing process I’ll be leading a gold leaf workshop at Main Street Arts on Saturday, February 21st, from 1–3pm. This workshop relates to the current Solid Gold exhibition, featuring nine artists using gold leaf, gold paint, and gold lustre.

Working on paintings on gold leafed panels

Working on paintings on gold leafed panels

Melissa Huang, The Aviary, Oil on panel, gold leaf, 6" x 6" (each), 2014

Melissa Huang, The Aviary, Oil on panel, gold leaf, 6″ x 6″ (each), 2014

Come see Melissa’s paintings in person during Solid Gold, or check out her upcoming exhibition Upstairs at Main Street Arts.

You can see more of Melissa’s portfolio at www.melissahuang.com or on Instagram: @melissahuangart. Take a look at our previous Inside the Artist’s Studio blog post, by painter Amy Vena.

Inside the Artist’s Studio with Amy Vena: Process

Art is my life-long passion. I’ve always maintained a connection with art, specifically drawing and painting. However, it wasn’t until graduate school that I really investigated using industrial materials as painting mediums. My relationship with high-gloss epoxy resin began in 2011 and has continued since then. Applying resin to both canvas and panel has taught me about the medium and it’s behavior.

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Amy Vena, In her studio

My painting process is inspired by both contemporary and past artists. Similar to Abstract Expressionist painters of the mid-21st Century (like Helen Frankenthaler), I strive to produce paintings that are active and contain energy. The focus is to achieve expression through tonal variation, depth, and color.

Most importantly, creating artwork is fun and spiritual. When I am in the studio I work through thoughts and problems until everything drifts away. Thoughts about life turn into brushstrokes. Eventually, my mind is quieted by work. Space, healing, and peace are all achieved while painting.

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By Amy Vena

The pieces contributed to Solid Gold were recently created. They are part of a transitional phase coming from a previous series inspired by images of nebulae. These new paintings are not meant to be representational images. They are  abstract, diverging from themed work. They focus on color and movement.

By Amy Vena

By Amy Vena

I often incorporate objects into my artwork prior to applying epoxy resin. Leaf skeletons and gold leaf add subtle detail. The actual process of creative development is pretty standard between pieces:

  1. Lay gesso and modeling paste on canvas to create the foundation texture and organic ambiance
  2. Use Acrylic Inks to develop a composition
  3. Create or enhance depth in certain areas working the entire painting
  4. Apply aerosol spray-paint
  5. Saturate each end of the value spectrum
  6. Allow the paint to dry
  7. Apply the clear or colored resin
  8. Create striations with iridescent acrylic/epoxy resin mixture
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By Amy Vena

Layering is one of the most valuable elements in my creative process. It takes patience and time. The application of epoxy resin bears the heaviest risks. Epoxy resin is toxic, and all precautions must be taken when handling the medium. Mixing must be closely monitored, as the epoxy resin will not cure if mixed incorrectly. Complexity level is something to consider when deciding to work with epoxy resin, but when done correctly the medium is fantastic and exciting.

Painting is a journey, and I am excited to see where each new painting will lead me.

For more information please visit Amy’s website, amycvena.com. You can see Amy’s work in person during our current exhibition, Solid Gold. #amycvenaart

Take a look at our previous Inside the Artist’s Studio blog post, by multimedia artist Jeanne Beck.

Solid Gold

Thank you to everyone who made it to the Solid Gold opening reception! It was a great night viewing golden artwork. We appreciate everyone who came out to support the gallery and our artists.

Solid Gold visitors standing by a work of art by Brian O'Neill

Solid Gold visitors next to a work of art by Brian O’Neill

Solid Gold is an exhibition of shining, glimmering, and glowing works in a variety of media by invited artists who use gold leaf, gold lustre, or gold paint. This exhibit includes paintings, mixed media pieces, ceramics, and sculpture.

Gallery visitors view a series of bird paintings on gold leafed panels by Melissa Huang.

Gallery visitors view a series of bird paintings on gold leafed panels by Melissa Huang.

A series of beautiful cups with gold trim by ceramic artist Katie Carey.

A series of beautiful cups with gold trim by ceramic artist Katie Carey.

Artists include:
Katie Carey, Jeanne Raffer-Beck, Melissa Huang, Mitch Messina, Brian O’Neill, Peter Pincus, John Ruggles, Bill Wolff, and Amy Vena.

Artist Amy Vena discusses her artwork with a gallery visitor.

Artist Amy Vena discusses her artwork with a gallery visitor.

Artist John Ruggles wears gold shades in front of his mixed media gold leafed painting.

Artist John Ruggles wears gold leafed shades in front of his mixed media gold leafed painting.

Stop by before February 28, 2015 to see Solid Gold in person! To see more images of the show, check out our Solid Gold album on Flickr, or see video of the show on Vimeo.

Exhibition Dates: January 10–February 28, 2015