Tag Archives: Illustration

Meet the Artist in Residence: Maliya Travers-Crumb

Maliya Travers-Crumb, artist in residence at Main Street Arts, during the month of August 2018, is working in one of our two studio spaces on our second floor. We asked Maliya some questions about her work and studio practice:

image8

Q: Tell us about your background. I grew up in Avon, NY outside of Rochester. My mother is a quilter so our house was full of fabric and craft supplies for me to experiment with.  I was always making something or other, attempting to make my own clothes or scribbling in my sketch book. I currently work as an administrator for the University of Rochester Urgent Care system. I spend most of my free time making pottery.

 Q: What was your experience like at art school? I’ve always been a big reader and literature is an integral aspect of my practice. I studied English and studio art at Oberlin College as an undergrad and did a lot of conceptual work. I went back to school and got a second bachelor’s degree in illustration from RIT where I specialized in digital techniques. It was at RIT that I rediscovered ceramics and it was sort of the missing piece in rounding out the way that I think about and approach my art.

image5


Q: How would you describe your work?
I mostly make pottery, but my work is very informed by my background in illustration. I like to think of clay as a different kind of canvas, and I really enjoy pairing flat  drawings with more dimensional forms. I work primarily with graphic black and white painting which helps to create a sense of continuity between my work. My illustrative style gives me the freedom to go in a lot of different directions with the pottery I create. I gravitate toward simpler forms which I paint in a whimsical style with a lot of cats and other creatures.

image4

Q: What is your process for creating art? I had hand surgery about 6 months ago, which has significantly impacted my process and how I make art. I had a repetitive strain injury to the sagittal band on my dominant hand, which was very painful and made it almost impossible to hold a pen. I couldn’t make art for a year and a half and I refer to it as my personal dark ages. Making art is very tied into my sense of self.  When I wasn’t able to throw or draw, I thought about art constantly. What I would make, what I would change when I was able to get back into the studio. I thought more intellectually about form, about making intentional art rather than just working intuitively. Although the process was inarguably terrible, the shift in my art since being able to make again has definitely been a positive one. In a time where throwing on the wheel is something that has come more into vogue, it’s interesting for me to focus on something different and how I can approach a fresh type of making. How does creating multiples affect the preciousness of an object? How does this change if you add in more of the decorative arts? What does a piece from a mold need in order to be its own unique work of art? 

image3

Q: Do you collect anything?
 I’m really into strange natural bits of detritus and decay. I have a collection of pinned beetles, shells, little animal bones, pressed flowers, and rocks. There is something very satisfying about tiny things.
Q: Who is your favorite artist and why?
I have always loved fairy tales, and am particularly drawn to the work of Arthur Rackham and Edmund Dulac. I also love the graphic style of Aubrey Beardsley, his drawings for Le Morte d’Arthur are strongly influential to my own work.
image6

Q: Who inspires you and why?
 
Reading has always been something that I go to when I need inspiration or comfort. Audiobooks have been the perfect tie in to how I create art. I love fantasy and storytelling, and something about listening to stories when I work helps me to create narratives within my own pieces. Anything by Neil Gaiman is on the list, but particularly Neverwhere which he narrates himself. I also love the Series of Unfortunate Events, which I didn’t originally like as much until I started listening to them narrated by Tim Curry who is over the top hilarious and amazing. My all time favorite will always be the Harry Potter audiobooks, which were an enormous part of my childhood and my development as a person.
image2
Q: What are your goals for this residency? My goal for this residency is to create a new practice of mold making with a focus on form and function. I’m looking forward to having the chance to spread out a little in this space and maybe create some larger pieces. I didn’t study ceramics in school, so I’m excited to learn more of the technical aspects of the process. I will be firing a kiln for the first time during my residency!  (With a little help from previous artist in  residence  Zoey Murphy Houser so I don’t melt anything J).
image7 

Q: Where else can we find you?
Instragram: @mtcpottery

Meet the Artist in Residence: Kaele Mulberry

Kaele Mulberry, artist in residence at Main Street Arts, during the month of April 2018, is working in one of our two studio spaces on our second floor. We asked Kaele some questions about her work and studio practice:

Kaele Mulberry

Kaele Mulberry

Q: Tell us about your background.
I was born in Sodus, NY, but when I was two my family moved south to Dallas, Georgia.  I spent the majority of my childhood there—running barefoot on dry grass, sipping honeysuckle, and drawing in the shade.  We relocated back north to Newark, NY in the summer of 2004 and I have lived there since.

I graduated from Alfred University in 2016 with a BFA and a minor in art history.  After graduating I made an improvisational studio in the closet of my childhood room.  At the moment I juggle working as a barista in the mornings and afternoons, and painting in my little studio in the evenings.

“Pupa, Imago (The Inherited Memory),” oil and varnish on canvas, 2016


Q: How would you describe your work?
More recently I have been really into the atmospheric qualities of layered watercolor and the buttery texture of gouache.  I find that these two mediums work best with my choice of scale.  I love the excitement of being overwhelmed by a large canvas, but even more so the meditative, scrawling, clenched fist process of working small.  There is a preciousness about holding something small in your hands.

“Exchange!,” watercolor and gouache on paper, 2017

Recently I have been painting a lot of raccoons.  During my morning commute it is not uncommon to pass by several unfortunate road-crossers, especially raccoons or opossums.  I have begun painting them to, in my own way, pay homage.  More recently my work subjects innocent and tender moments exchanged between humans and animals.

Q: What is your process for creating a work of art?
I start with a sketch, and then create more sketches based off the first sketch.  Most of the time I like my drawing more than a finished painting.

Sketchbook, graphite and marker, 2018

Sketchbook, graphite and marker, 2018

There’s a looseness and a spontaneous quality in my drawings that I am still working to capture in my paintings.  I end up scrapping a lot of work because of this.  Restarting and being frustrated about it is a short but important process for my work and for me.  I usually work on two pieces at once to keep things fresh and to stave off disinterest. I find it best to come back to an image with refreshed eyes.

Q: What are your goals for this residency?
My project is a series called Ugly Planet, a collection of paintings that illustrate a utopian planet where the dichotomy between humans and animals has been dismantled.  Ugly Planet describes the conventional human tendency to alienate and disparage the unfamiliar and strange.  The content of this series is not meant to be jarring or violent, rather, it is to blur the presumptive roles of humans and animals.

“Untitled,” ink, watercolor, gouache, and color pencil on paper, 2018

The underbelly of this series is inspired by roadkill.  My personal interest in this series is to pay homage to the birds, foxes, raccoons, and opossums I so often encounter on my daily commute.  I wish to illustrate a wistful imagining of their lives uninhibited by humanity’s environmental intervention, while also portraying them amidst activities and settings that are recognizably human.

My big mission is to walk away from this residency with many paintings and, hopefully, a book of this series.  I am convincing myself to let this series bend and grow however it needs too.

Q: What do you listen to when you work? How does it affect your artwork?
I find that I need to always listen to something to keep myself awake and focused.  I only let myself listen to podcasts when I’m working, and because I like to marathon episodes, this usually keeps me working for longer.  A few podcasts that I’m always listening to are Lore; My Brother, My Brother, and Me; and The Adventure Zone.  I definitely recommend them.

For music, I’m currently into the narrative of Sam Beam and the chaotic and exuberant energy of Dan Deacon.

“To Drown a Fish in Loose Leaf Tea,” oil on panel, 2016


Q: Who is your favorite artist and why?
I have a handful of favorite artists.  Remedios Varo is an artist that I am drawn to because of her immersive and fantastical scenes.  Gustav Klimt is another favorite, especially his “Golden Phase” and landscape paintings.  I have far too many favorite contemporary artists, but to name a few: Teagan White, and her detailed paintings of flora and fauna succumbing to the gentle and cruel hands of nature; Rebecca Green, whose gouache paintings of curious children and animals reverberate nostalgia; and Estée Preda, with her folk tale inspired watercolors.

“Picnic,” watercolor and gouache on paper, 2017


Q: What’s next for you?
I expect to print and distribute Ugly Planet during or shortly after my residency.  I am hoping to ready an online shop up with prints, originals, books, and zines.  I will definitely be found brewing fresh coffee and pouring lattes for friends and familiar faces.  I will also be moving to Canandaigua and upgrading from my closet studio to a room studio.

Q: Where else can we find you?
You can view my work over at my website kaelemulberry.com, and follow my process, adventures, and shenanigans on Instagram @loiir.

Inside The Artist’s Studio with Bob Conge: mostly before

Bob_Conge_small

I grew up in a rural area of upstate New York that afforded me many years to explore the farms and woodlands surrounding our home and record my findings with pencil and paint. Later moving to the city of Rochester N Y,  I discovered a whole other world of Universities, Museums, galleries, theater, libraries, and the like.

Upon graduating from Syracuse University with an MFA in painting, I taught in the Art schools of S U and RIT for a few years, followed by a freelance illustration career that financed my personal work in painting and printmaking.

Call for entries poster illustration

Call for entries poster illustration

Brighten The Vision Poster

Brighten The Vision Poster

Editorial magazine illustration.

Editorial magazine illustration.

Print Ad illustration in the Wall St. Journal

Print Ad illustration in the Wall St. Journal

Park Avenue Festival Poster

Park Avenue Festival Poster

Promotional Poster for Plaseebo.net

Promotional Poster for Plaseebo.net

Print Ad for NPR

Print Ad for NPR

Product illustration

Product illustration

Over the years I have worked in a wide range of mediums  in both my commercial and personal work. In 2005 I closed my illustration studio in order to devote all my time to personal work. From that point on I have explored various directions in sculpture.

Home

Home

In 1995 my wife Sue and I moved to a rural area in the hills of Springwater N Y.

Main studio.

Main studio.

My main studio is located in a 19th century 2 story carriage house a few yards from the house. I am here 7 days a week often till 5 AM, as I prefer working the quiet hours.

Main studio 2nd floor

Main studio 2nd floor

Main studio 2nd floor

Main studio 2nd floor

Main studio 1st floor

Main studio 1st floor

I also have a wood shop and spray paint booth in the basement.

WOOD SHOP

In the past year and a half I have also begun working in a larger scale and now have an additional work space in the barn.

Barn sculpture work shop.

Barn sculpture work shop.

Part 2 will cover the period from 2005 to the present.

Stop by Main Street Arts to see three of Bob Conge’s sculptures in our current exhibition, Small Works 2015. View more of his artwork at www.bobconge.com.

Take a look at our previous Inside the Artist’s Studio blog post by printmaker Robert Hunter.

BLOOM, etc. by Kevin Harwood

Kevin Harwood’s exhibit “BLOOM, etc” Upstairs at Main Street Arts features a selection of drawings from the artist’s self published Illuminated Magazine, BLOOM, along with watercolor paintings.

Kevin Harwood, "Bloom"

Kevin Harwood, “Bloom”

Harwood’s paintings provide a humorous take on life in the Finger Lakes, riffing on local characters and situations unique to the area.

Kevin Harwood, "Bloom"

Kevin Harwood, “Bloom”

Harwood’s refers to his watercolors as “Haiku watercolors”, because each painting is composed of only three to five brush strokes. These paintings are beautiful because they are so simple.

Kevin Harwood, Haiku Watercolor

Kevin Harwood, Haiku Watercolor

Stop by to see Kevin Harwood’s solo exhibition Upstairs at Main Street Arts! His work will be here through September 27, 2014. You can see more information about exhibitions at Main Street Arts here.

Exhibition Dates: August 5–September 27, 2014

A Solo Exhibition by Chad Grohman

Upstairs at Main Street Arts we are currently exhibiting nineteen paintings by Buffalo, NY artist Chad Grohman. Grohman’s work ranges from more traditional landscapes and still lives to buildings, plants, animals, and people with a surreal twist.

Chad Grohman, "Always Home"

Chad Grohman, “Always Home”,  2014, Gouache, 8″ x 10″

Chad Grohman, "At the Center of the Clearing", 2013, Gouache, 8" x 10"

Chad Grohman, “At the Center of the Clearing”, 2013, Gouache, 8″ x 10″

Chad’s muted color palette creates a sense of uncertainty and uneasiness in these gouache paintings (which is interesting, compared to how warm some of his landscapes can feel). There is a strong sense of narrative, even if the the viewer can’t pin down what that narrative is.

Chad Grohman, "Light Dagger", 2014, Gouache, 8" x 10"

Chad Grohman, “Light Dagger”, 2014, Gouache, 8″ x 10″

Chad Grohman, "Crowclops", 2014, Gouache, 8" x 10"

Chad Grohman, “Crowclops”, 2014, Gouache, 8″ x 10″

Houses with legs, flying tigers, lightning fish, all of these unusual creatures are juxtaposed with more traditional landscape backgrounds. Many of these pieces feel as though their characters would be at home in a tattoo parlor, or in a very unusual fairy tale.

Chad Grohman, Grabbing Hands, 2014, Gouache, 6" x 8"

Chad Grohman, Grabbing Hands, 2014, Gouache, 6″ x 8″

Stop by to see Chad Grohman’s solo exhibition Upstairs at Main Street! His work will be here through July 26, 2014. You can see more of Grohman’s work here and read more information about exhibitions at Main Street Arts here.

Exhibition Dates: June 6–July 26, 2014