Tag Archives: Lin Price

From The Director: Art From a Dream State

Similar to the four artists included in this exhibition, I also make artwork that floats in the realm of dreams and a questioning of reality. Many of the exhibitions that we have here (selfishly) relate to my own studio practice or ideas that I am personally interested in and it is because I find these things so interesting that I choose to share them with you through our exhibition programming.

Installation shot from Dream State (pictured: "Isle of Wight" by Lin Price and "The Dream" by Carrianne Hendrickson)

Installation shot from the exhibition (pictured: “Isle of Wight” by Lin Price and “The Dream” by Carrianne Hendrickson)

The notion of the dream state is a never ending source of inspiration and it can be both the object and the subject of an artwork. We rarely give ourselves the opportunity to let our dreams inform our waking life but much can be gained by doing so. Our subconscious mind is often holding the answers to questions that we have been asking ourselves. It is able to offer a glimpse into a personal truth or a hint at finding some kind of greater understanding. The goal in engaging with your dreams, at least for me, is to build a stronger connection between the conscious mind and the subconscious mind. The closer in proximity these two can be, the closer we are to realizing the benefits of dreaming.

Dream State, installation shot

“Dream State”, installation shot

The idea for this exhibition came after a studio visit with Lin Price in Ithaca. I was drawn in to her work when I first saw it in a solo exhibition at Axom Gallery two years ago. When I was talking to her about the prospect of being in an exhibition, I began to think about the sculptures of Carrianne Hendrickson—we had recently begun showing several of Carrianne’s figurative pieces in our gallery shop. Lin had one painting in particular that reminded me of a specific piece I had seen by Carrianne. It was one of the paintings shown in the exhibition at Axom Gallery.

These two pieces in particular (one of Lin’s and one of Carrianne’s) are the reason this show came together. Left: She Only Flies at Nite by Lin Price / Right: Sculptural teapot by Carrianne Hendrickson

While they are not included in the exhibition, these two pieces in particular are the reason this show came together. Left: She Only Flies at Nite by Lin Price / Right: Sculptural teapot by Carrianne Hendrickson

The moment I realized that these two artists in particular belonged in a show together was like a revelation. Two people who probably wouldn’t be in an exhibition together but desperately needed to be! One working in oil paint the other in clay, yet both traveling along the same cerebral path.

From my studio visit with Lin Price in Ithaca, NY

From my studio visit with Lin Price in Ithaca, NY

Lin’s work was a perfect fit for an exhibition called “Dream State”. Her paintings often feature a human figure engaging in some sort of mysterious activity in a nondescript environment. The colorful fields and atmospheres lend themselves to the notion of a dream or at least to a time and place that may not actually exist. Other of her paintings that do not include a figure still somehow evoke that same feeling. A feeling that something might happen or is happening just around the corner, out of frame and out of sight.

Sculptural vessels by Carrianne Hendrickson in the Dream State exhibition

Sculptural vessels by Carrianne Hendrickson in the Dream State exhibition

Carrianne’s sculptures are often layered in symbolism. Sometimes referencing known stories, other times referencing the inner world of the artist herself. To me, they often seem to suggest the moment of realization that things are not quite right. The idea that perhaps, I am sleeping and the world I am currently experiencing is in fact a dream. Examples from pieces in the exhibition include: blank stares from eyes whose head is balancing a bird’s nest, the closed eyes of a dreamer covered in snakes on a yellow striped couch, and the existence of goblins or human/animal hybrids.

Once Lin and Carrianne were secured for inclusion, I then set my sights on finding other artists to bring in to the exhibition and make it more comprehensive.

Left: From my studio visit with Matt Duquette in Buffalo, NY; Right: "The Space In Between" by Matt Duquette

Left: From my studio visit with Matt Duquette in Buffalo, NY; Right: “The Space In Between” by Matt Duquette

I was drawn in by his paintings of chickens. They have an otherworldly feeling to them but are still so relatable because of their subject matter. The paintings of Matt Duquette are often based on dreams and at least one painting in this exhibition was based on a guided meditation session.  Each of the paintings in the exhibition have the same cool, dark color palette. The atmospheric quality of these paintings presents us with situations and we have no idea how we got there. For the most part, there is no other point of reference, just a blue/black void and a light source to accompany the owls and human figures. I get the feeling that these scenes or visions are plucked right from a dream. They tell us something but that “something” is veiled and different for each of us.

Bill Finger's work from the alumni exhibition at RIT

Bill Finger’s work from the alumni exhibition at Rochester Institute of Technology

I saw some of Bill Finger’s photographic triptychs in circular mats at RIT in October of 2016 and was an instant fan. His photographs are a constructed reality running in tandem with the one we live. Whether based on actual places or totally made up, these images have a feeling like trying to recall a dream. You can remember the place and where things were but something seems off. Each of his photographs chosen for this exhibition keep us in an augmented reality where we are unsure what is possible or impossible.

Desert House (Night), a photograph by Bill Finger

Desert House (Night), a photograph by Bill Finger

Imagery that relates to a house or home comes into play throughout this exhibition. Houses, room interiors, nests, these are all familiar images and are all references to places of comfort which are needed to be engaged in sleep. These places become a jumping off point to engage in something that might be unfamiliar or at times, disconcerting. While we have no say in the matter of sleeping, some of us have the ability to recall and consider our dreams. Perhaps not in the way of figuring out the meaning of the dream itself, but to see how the dream may relate to things transpiring in our everyday lives. My hope is that this exhibition can serve as a reminder of how important it is to dream and that we all might begin to look inward in an effort to gain a greater understanding of who we are and how we relate to the world. I know it has for me.


See Dream State at Main Street Arts through this Friday, February 16, 2018. You can also preview some of the work on Artsy: Artsy.net/mainstreetarts.

Inside the Artist’s Studio with Lin Price

In Lin's studio with her dog, Cherry

In Lin’s studio with her dog, Cherry

Originally I am from Ann Arbor Michigan, but have spent most of my adult life in New York State, near Ithaca. I had an unconventional and circuitous path toward the arts. After the birth of my second child I decided to return to college and became completely smitten with painting, earning a BFA from Ithaca College and an MFA in painting from Bard College/Milton Avery Graduate School for the Arts. I am drawn to painting because it is a non-verbal language with limitless expressive possibilities.

Isle of Wight, oil on cradled panel, 24" x 18", 2017

Isle of Wight, oil on cradled panel, 24″ x 18″, 2017

Looking at art, especially painting, from all historical eras and styles, gives me new insights and pleasure. Over time, this ‘looking’ is condensing into my own specific vocabulary. My paintings are dream-like and non-linear and explore themes and symbols I believe are universal to most humans; desire, regret, isolation, and joy. Water often plays an important role.

Lover's Knot, oil on cradled panel, 48" x 40", 2017

Lover’s Knot, oil on cradled panel, 48″ x 40″, 2017

The Jetty, oil on cradled panel, 28" x 34", 2017

The Jetty, oil on cradled panel, 28″ x 34″, 2017

I use all kinds of painting media, although lately, oil paint is the medium of choice, which I find challenging and forgiving.

Paint box

Paint box

Lin Price's studio in Danby, NY

Lin Price’s studio in Danby, NY

The landscapes in my work are invented and abstracted, sometimes inhabited by single miniature figures, completely self-contained, creating a sense of aloneness and quiet as they focus on the task at hand. I enjoy surrounding the figures with unusual, unexpected, and mysterious events. The perspective is voyeuristic, one has the sense of peering in at someone’s private obsessions.

Sunrise, oil on canvas, 48" x 60", 2016

Sunrise, oil on canvas, 48″ x 60″, 2016

Fountain Maker, oil on canvas, 44" x 54", 2017

Fountain Maker, oil on canvas, 44″ x 54″, 2017

Margaret, oil on cradled panel, , 21" x 28 1/2", 2017

Margaret, oil on cradled panel, , 21″ x 28 1/2″, 2017

Corona, oil on canvas, 42" x 50", 2017

Corona, oil on canvas, 42″ x 50″, 2017

The paintings evolve with experience and accident, creating areas of texture and intimacy of touch, building a psychology into each environment. This is a challenging and fluid experience. One has to pay close attention when a painting starts to speak.

More of my work can be found at linprice.com


Six of Lin Price’s paintings can be seen in Dream State, on display through February 16, 2018. The exhibition also features photographs by Bill Finger (Seattle, WA), sculpture by Carrianne Hendrickson (Rochester, NY), and paintings by Matt Duquette (Buffalo, NY). Work from the exhibition can be previewed and purchased online. 

From The Director: End of 2017 Edition

The last exhibition of 2017, "Small Works"

The last exhibition of 2017, “Small Works”

It’s the end of the year, so naturally we are getting into a reflective mood and reminiscing about all of the great things that happened at the gallery in 2017. This is also a time when we start to get really excited about new things on the horizon in the year to come. If you are thinking to yourself right now, “I wish I could look back at 2017 with Main Street Arts and see some of the exciting things coming up in 2018″, well you are in luck! Keep reading!

Top: Multifaceted, jewelry exhibition; Middle: Re-emerging artists: John Greene and Robert Marx; Bottom: Sacred Curiosities

2017 Exhibition Highlights – Top: Multifaceted, An exhibition of fine jewelry; Middle: Artist talk with John Greene and Robert Marx during Re-emerging Artists; Bottom: Sacred Curiosities

This year, we hosted  fifteen exhibitions on two floors including artwork by a total of 246 artists. Through five solo exhibitions, three two-person shows, four group invitationals, and three national juried exhibitions, we presented a variety of media and artistic perspectives over the course of the year. Highlights for me include hanging jewelry on the wall, hosting an exhibition featuring two artists with over 100 years combined art making experience, and an exhibition based on found objects.

2017 Finger Lakes Regional Student Painting Competition: Self Portraits

2017 Finger Lakes Regional Student Painting Competition: Self Portraits

We also held the 4th annual Finger Lakes Regional Student Painting Competition, which featured 5×7 self portraits by 203 student artists in grades 6 through 12 from 10 area school districts.

May/June, 2017 Artist in Residence, Nick LaTona

May/June, 2017 Artist in Residence, Nick LaTona

Our artist residency program, now well into it’s second year of existence, has been an exciting and meaningful addition to Main Street Arts. This year, we welcomed 18 different artists into our community, including our first ceramic artist in residence, Mandy Ranck, providing them the time and space to focus on making their art. We had artists from the Finger Lakes/Rochester areas; Brooklyn, NY; Staten Island, NY; Jersey City, NJ; Lenox, MA; Phoenix, AZ; and Austin, TX.

2017 Workshop Highlights – In order from top left to bottom right: The Beauty of Small with Cathy Gordon; Printmaking with Chas Davis; students from Penn Yan Academy on a field trip to the gallery making Collage/Assemblage pieces; Encaustic Collage with Ali Herrmann

2017 Workshop Highlights – In order from top left to bottom right: The Beauty of Small with Cathy Gordon; Printmaking with Chas Davis; students from Penn Yan Academy on a field trip to Main Street Arts, making Collage/Assemblage pieces; Encaustic Collage with Ali Herrmann

Artists in residence have the opportunity to teach workshops during their stay at the gallery. In 2017, we ran workshops with 7 of our artists in residence in the following media: ceramics, embroidery, encaustic wax, painting, printmaking, and mixed-media collage. We also offered several workshops in jewelry making and fiber arts with a handful of regional artists as the instructors.

Artist Talks

2017 Event Highlights – Top: Upstate NY Painting Invitational Artist Talk; Bottom, left to right: Sketch session with Andy Reddout and Genine Carvalheira-Geman; Artist talk with John Greene and Robert Marx; and Tintype Demo with John Coffer.

In addition to showcasing the artwork of great artists, we sometimes also ask them to come to the gallery to talk about their work. This year, we hosted artist talks with Robert Marx and John Greene in April in conjunction with their Re-emerging Artists exhibition, Genine Carvalheira-Gehman and Andy Reddout in March for their exhibition of sketchbooks on our second floor, along with a talk with 7 of the painters featured in the Upstate New York Painting Invitational in September. We also invited nationally-known tintype photographer, John Coffer to do a demo here in March as part of the Alternative Process Photography exhibition.

Students and their art teacher, Sherry Blanco during their field trip in October

Penn Yan students and their art teacher, Sherry Blanco during their field trip in October

In October, we also had a group of 15 art students from Penn Yan Academy come in for a field trip to learn about our Sacred Curiosities exhibition and to make their own mixed media collage/assemblage pieces!

Now onto 2018…

The first exhibition of 2018, "Dream State" will open on Saturday, January 13.

The first exhibition of 2018, “Dream State” will open on Saturday, January 13.

We have an exciting schedule of exhibitions planned for next year. Our first exhibition will be called Dream State and will include the work of four artists. Through painting, sculpture and photography, this exhibition is an exploration of time and space, a suspension of reality, and a journey into a personal mental space. The four artists included in this invitational exhibition are Matt Duquette of Buffalo; Bill Finger of Seattle, WA; Carrianne Hendrickson of Rochester; and Lin Price of Ithaca.

“Former King Ferry Scoreboard”, photograph by Harry Littell (Selection from the new book “UNROOM: New 2 U”, a collaboration with author Ron Ostman documenting the surrounding region, finding the beauty in the everyday built environment.)

Next up is an exhibition called Unknown, Overlooked, and Unfamiliar. This exhibition opens on February 24 and will present three distinct bodies of work from three photographers. Each series of images is an investigation into a unique and distinct subject matter. Presented together, the similarities and differences between each body of work will be amplified as parallels between different concepts are made. 30 Photographs by Jasna Bogdanovska, Harry Littell (pictured above), and Nigel Maister will be included and an artist talk will take place on Saturday, March 10 at 1pm.

Main Street Arts’ profile on Artsy, showing our eight represented artists

In April, we will open an exhibition called Cultivate and it will be an introduction to a new gallery program. Main Street Arts will be representing a roster of regional artists. This is something I have wanted to do for a few years and I am so excited to start with eight wonderful artists: Pat Bacon of Lyons, Chad Grohman of Buffalo, Patrick Kana of Geneva, Meredith Mallwitz of Canandaigua, Lanna Pejovic of Honeoye Falls, Jody Selin of Buffalo, Mike Tarantelli of Rochester, and Sylvia Taylor of Ithaca. Work by our represented artists is regularly available on Artsy and at the gallery. Expect to hear much more about this in the new year!

Photo from a visit to Lanna Pejovic's studio in June

Photo from a visit to Lanna Pejovic’s studio in June

There will be a solo exhibition each year for one of the gallery artists, and this year we are excited to mount a solo exhibition of paintings by Lanna Pejovic in October. Stay tuned for more info…

Aside from a solo exhibition and perhaps a group exhibition including these artists each year, I am still excited to have invitational exhibitions which include artists from our region and beyond. A majority of the year will still be filled with the types of exhibitions you have come to know (and hopefully love!) at Main Street Arts.

The Cup, The Mug 2017; our last show of the year on the second floor

“The Cup, The Mug”; our last show of 2017 on the second floor

As we continue to focus our efforts, things will be a little bit different on our second floor. In order to focus on the eight main exhibitions per year in our first floor gallery space and promoting the work of our represented artists, we will no longer have regular exhibitions on our second floor. That space will be dedicated to showing the work of our artists in residence, our gallery artists, and special pop up exhibitions.

And now for 2018 and beyond…

Finally, I would like to announce that this coming year Main Street Arts will be starting the process of converting from a commercial entity to a non-profit. From the beginning, in 2013, we have been graciously funded by Marjorie Morris and the Morris family. Mrs. Morris has, and continues to be, a wonderful patron of Main Street Arts and by extension, all of the artists we have been fortunate enough to show here. Moving forward with a non-profit status will allow us to function in a more sustainable manner and help us to continue to promote the work of artists for many years to come.

This also means that we are able to accept donations and are currently accepting them for a scholarship fund for our artist residency program. If you are interested in supporting our residency program, please contact the gallery for more information.

Main Street Arts, decked out for the holiday season, 2017

Main Street Arts, decked out for the holiday season, 2017

From the bottom of our hearts, we thank you for your support over the past four and a half years. We look forward to many more years of continuing our mission of promoting the work of artists from our region, encouraging the creation of art, and fostering a creative community through exhibitions, artist residency program, workshops, and events.

— Bradley Butler, gallery director and curator


There were so many great exhibitions, workshops, residents, and events in 2017 and it was impossible for me to talk about everything in a concise manner. So, I encourage you to look back and see everything in detail for yourself: 2017 Resident Artists, 2017 Exhibition History, Photo Albums on Flickr.