Tag Archives: Nature

Inside the Artist’s Studio with Patrick Kana

For as long as I can remember, I have been drawn to the idea of making things with my hands. I started as a child in my father’s basement workshop making carefully assembled model boats and planes, and over the last 15 years continued to gravitate toward working with wood as my primary creative practice.

Patrick Kana working in his studio

Patrick Kana working in his studio

I grew up on the coastal eastern shore of Maryland as a son of two marine biologists, and these influences remain at the forefront of my experimental woodworking today. I am currently the studio technician and visiting faculty for the Art and Architecture Department at Hobart and William Smith Colleges in Geneva, NY, and have my independent business and studio: Kana Studios.

Finished texture and form exploring biological specimens.

Finished texture and form exploring biological specimens.

My work ranges in appearance and context, from fine client-based commissioned furniture to sculptural and carved objects that are grounded in my curiosity of the natural world. All of my work is experimental on some degree, by testing and exploring what certain specimens of wood can provide, how form integrates with the material, and how surface texture and color can enhance the gesture of the piece.

Development of Geneva Chair, 2012.  Mock-up before final production.

Development of Geneva Chair, 2012. Mock-up before final production.

The collection of work currently on view at Main Street Arts is more about showing the spectrum of my work rather than honing in on one central theme. The Geneva Chairs were my first long-term design and research project in 2012 that yielded a user-friendly and intriguing product for the masses, while keeping the material use and construction process efficient in my workshop. These are designed to be made in multiples, which contrasts well to the inherently one-of-a-kind carved wall vessel, Nascent, a piece that is designed and made using one specific piece of wood.

Organic development of Nascent.  Arranging free-form parts until I am drawn to a pleasing composition.

Organic development of “Nascent”, arranging free-form parts until I am drawn to a pleasing composition.

"Nascent" by Patrick Kana

“Nascent” by Patrick Kana

As my work has progressed over the last 5 years, I have found more intrigue in curves and contours of surfaces, as seen in the reed-like curves on the back of my Palea Chair, where multiple laminated slats combine to generate a contoured, gestured, and most importantly comfortable back to the chair.

Sketch developments of Palea Chair.

Sketch developments of Palea Chair.

Sketch refinement of Palea Chair.

Sketch refinement of Palea Chair.

Mock-up development of Palea Chair.

Mock-up development of Palea Chair.

"Palea Chair" by Patrick Kana

“Palea Chair” by Patrick Kana

My outlook on making is one that is central to understanding material. I want to learn the deep characteristics of wood—it is a seductive material in its natural state, tempting to simply sand and leave smooth, but I challenge myself to look at the raw material with a curiosity of what is within, or what it wants to become. I believe that through a range of working methods, we gain a more thorough understanding of medium, and in return we become stronger designers and artists.


Patrick Kana is one of eight gallery artists represented by Main Street Arts. He is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Patrick and his work can be found on our website. View more pieces by Patrick Kana on the gallery’s Artsy page.

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Inside the Artist’s Studio with Jody Selin

Until about the age of 6, I grew up in fairly rural area of Greensboro, North Carolina. My parents were avid gardeners and some of my fondest memories where of snapping green beans, skinned knees and following my parents around the yard, as they pruned and planted throughout the growing season.

Jody Selin working in her studio

Jody Selin working in her studio

There was plenty of land to roam as unsupervised kids and we took full advantage of it. If asked, we could recite the trees in our yard; cherry, pear, oak, dogwood and magnolias. It was here that I naturally developed a love of being outdoors, gardening and a fascination with plant and earth sciences. These earliest childhood impressions, along with a mother who encouraged creativity, are what I carry into my work today. 

Various pieces in progress

Various pieces in progress

So, for the better part of 20 plus years, I’ve been making art and choosing to live creatively. Originally, I came to Western New York to pursue my MFA in Ceramics at RIT’s School for American Craft, eventually settling in Buffalo, NY. Before this, I had traveled around the US and Caribbean for several years, where my natural inclination for plant biology overlapped with a love for the enormous plant growth and lush, saturation of the sub-tropics. The ecology of western NY has been just as inspiring, with the diverse hiking trails, rivers and Great Lakes. 

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Detail of “Entangled Growth” from CULTIVATE exhibition

"Medium Pollinator Cluster" from the CULTIVATE exhibition

“Medium Pollinator Cluster” from the CULTIVATE exhibition

Working with my hands, traveling, hiking and experiencing people and places outside of my direct understanding have always been an interest for me. At my best, I am curious. 

These recent works, featured in the CULTIVATE exhibition, are a reflection of this continued curiosity. Threads of previous works in content and style are always present although, I intentionally choose to pursue work that is continually explorative and in response to my direct natural environment. 


Jody Selin is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Jody and her work can be found on our website. View more pieces byJody Selin on the gallery’s Artsy page.

"Into the Wood (Autumn)"

Inside the Artist’s Studio with Lanna Pejovic

Throughout my life as an artist/painter, I have found my inspiration in the world of nature. The places I prefer as a source for motifs are the places that I can experience continually, such as the view from my house and studio windows or a park or special garden close by that I visit all the time in every season and light. I live in a village surrounded by fields and woods with gentle hills and four seasons in a year.

My backyard

View of my backyard with studio on left

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Gouache sketch

I most often paint in cycles where I concentrate on one of “my” places for a while in a series of works and then move  to another motif. There is usually overlap and a cycling back toward previous motifs. Discoveries in each cycle inspire future series.  I swing between abstraction and naturalism and I often paint and draw on location. My on location paintings are a way of building up a memory of landscape but as finished paintings can become too burdened by information. I prefer to have time to reflect and distill so I often work over the outdoor version in the studio. It can become a finer reflection or a reflection of a different experience, such as the painting below, “Winter Garden”.

garden shed at Linwood Gardens

Photo of Linwood Garden shed

Winter in the Garden

A summer plein air version that got a winter makeover

What I respond to in the space surrounding me is the light and color first and then the structure of the trees. I love trees and experience them as living architecture. I can imagine them breathing when I walk through the woods. They also remind me of the great church architecture of Gothic Europe.

Birdsong Trail at MMP

Birdsong Trail at Mendon Ponds Park

Birdsong Trail at MPP sketch

Drawing made at Birdsong Trail location

Below, the painting The Listener is a studio invention that alludes to time passing, night/day and again…I find winter more evocative.

The Listener 1MB copy

“The Listener”

To conclude my post, I am back at my studio with a photo of a winter sunset seen through a window.

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Winter scene from the studio window


Lanna Pejovic is one of eight gallery artists represented by Main Street Arts. She is featured in the exhibition CULTIVATE which runs April 7 through May 18, 2018. More information about Lanna and her work can be found on our website. View more pieces by Lanna Pejovic on the gallery’s Artsy page.

Paintings and Prints by Dennis Revitzky

Rochester printmaker Dennis Revitzky has a solo show featuring landscape paintings and prints from Rochester, the Finger Lakes area, and beyond, Upstairs at Main Street Arts! His wooded landscapes feature beautiful pinks, purples, and greens that look great in the gallery space.

"Paintings and Prints by Dennis Revitzky"

“Paintings and Prints by Dennis Revitzky”

Dennis Revitzky’s paintings and prints have strong natural elements. Tangled trees, winding streams, and cliffside villages are a common sight in his work.

Dennis Revitzky, "Tangled Trees, Mendon Ponds", oil & mixed media on canvas

Dennis Revitzky, “Tangled Trees, Mendon Ponds”, oil & mixed media on canvas

Prints by Dennis Revitzky

Prints by Dennis Revitzky

Paintings and prints by Dennis Revitzky

Paintings and prints by Dennis Revitzky

Make sure to stop by to see Dennis’ incredible monoprints and paintings in person! You can see more information on the exhibitions Upstairs at Main Street Arts here.

Exhibition Dates: October 3–November 29, 2014

“Birds in Nature” – Wood Sculpture by Don Howell & Paintings by Mark Stash

Birds in Nature is one of our current exhibits at Upstairs Main Street. Don Howell’s brightly colored bird carvings and Mark Stash’s  tightly rendered watercolor and gouache paintings interplay, combining 2-dimensional and 3-dimensional works in a complementary way.

Mark Stash, Feeding at Fallen Tree, watercolor & gouache

Mark Stash, Feeding at Fallen Tree, watercolor & gouache

Don Howell, Eclectic Parrot, wood carving

Don Howell, Eclectic Parrot, wood carving

These two artists may work in different mediums, but their appreciation of nature ties their work together. Both Stash and Howell’s depictions of birds allow us to appreciate their presence in the natural world surrounding us.

Stop by to see the show! These carvings and paintings should really be viewed in person to fully appreciate their vibrant colors and detailing.

Exhibition Dates: June 6–July 26, 2014